Mural for Senija Town Hall
Mural in Senija: art, perspective and cycling at the entrance of the village
At the entrance of the small and charming town of Senija, in the heart of the Marina Alta, a mural draws the attention of anyone who approaches the village, whether on foot, by car or on two wheels. It is a work by the mural artist Tardor Roselló, which surprises both for its technical quality and its ability to dialogue with the environment. The work is much more than a decorative intervention: it is a piece of urban art with a 3D perspective, designed specifically for this place so busy with cyclists, which has become a real visual and symbolic landmark of the municipality.
The mural depicts the figure of a cyclist in motion, masterfully integrated on two different architectural planes. Thanks to an optical play of perspective, from a specific point of view, the image merges into one, generating a surprising three-dimensional effect. This type of intervention, known as “anamorphosis”, requires great precision in design and execution, and demonstrates Tardor’s technical and artistic mastery.
A tribute to the bicycle and to those who pedal every day.
The road that gives access to Senija is traveled daily by dozens, even hundreds, of local and visiting cyclists, who cross this stretch as part of the popular cycling routes of the Marina Alta. This mural not only beautifies the access to the municipality, but also pays tribute to cycling as a symbol of effort, connection with nature and healthy lifestyle.
With this work, Tardor wanted to highlight the role of the cyclist as a figure that unites territory, sport and culture. The mural transmits dynamism, freedom and passion, values that identify those who travel these routes on bicycles and that, at the same time, unite towns and people through movement and the shared experience of the landscape.
A mural integrated into the environment and adapted to the surface
One of the hallmarks of Tardor’s work is his ability to adapt to the mural support, taking advantage of the architectural characteristics of the space. In this case, the mural is painted on two perpendicular walls, which has allowed the artist to play with perspective to generate a single coherent image from a given observation point.
This use of the environment as an active part of the work turns the mural into a participatory artistic experience, where the viewer must move, look for the right angle and be part of the proposed visual game. The result is not only an aesthetically impressive work, but also an intelligent and respectful intervention with the existing architecture.
Urban art that dynamizes and represents the municipality
The Senija mural is part of a cultural strategy promoted by the City Council to revitalize public space through art. This type of interventions contribute to improve the image of the municipality, strengthen its visual identity and project to the outside a modern, active and committed to contemporary culture.
For the neighbors, this mural has already become a symbol of welcome and a source of pride. For cyclists, it is a visual reference that identifies the town as a place that respects and values their presence. And for visitors, it is an opportunity to discover how urban art can be profoundly local and, at the same time, universal.
Contemporary muralism in the Marina Alta
Tardor continues to consolidate its presence in the region with projects that connect art with the territory, providing sensitivity, technique and content. His style -organic, emotional and committed- not only beautifies, but also generates links, emotion and conversation.
The Senija mural is a perfect example of how an artistic intervention can transform an everyday space into an aesthetic and symbolic experience, and how art can act as a catalyst for local pride and community cohesion.
Conclusion: an image that invites you to pedal, to look and to be part of it.
The Tardor mural in Senija not only represents a cyclist: it invites you to be one, to move, to observe and to be part of the landscape. It is a work that celebrates the connection between people, towns and roads. A visual flower that opens up as it passes, in constant movement, like cycling itself. And also like the art of Tardor: always on the road, always evolving.
Av. de la Constitución n2 03729 Senija
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Mural for Senija Town Hall
Mural in Senija: art, perspective and cycling at the entrance of the village
At the entrance of the small and charming town of Senija, in the heart of the Marina Alta, a mural draws the attention of anyone who approaches the village, whether on foot, by car or on two wheels. It is a work by the mural artist Tardor Roselló, which surprises both for its technical quality and its ability to dialogue with the environment. The work is much more than a decorative intervention: it is a piece of urban art with a 3D perspective, designed specifically for this place so busy with cyclists, which has become a real visual and symbolic landmark of the municipality.
The mural depicts the figure of a cyclist in motion, masterfully integrated on two different architectural planes. Thanks to an optical play of perspective, from a specific point of view, the image merges into one, generating a surprising three-dimensional effect. This type of intervention, known as “anamorphosis”, requires great precision in design and execution, and demonstrates Tardor’s technical and artistic mastery.
A tribute to the bicycle and to those who pedal every day.
The road that gives access to Senija is traveled daily by dozens, even hundreds, of local and visiting cyclists, who cross this stretch as part of the popular cycling routes of the Marina Alta. This mural not only beautifies the access to the municipality, but also pays tribute to cycling as a symbol of effort, connection with nature and healthy lifestyle.
With this work, Tardor wanted to highlight the role of the cyclist as a figure that unites territory, sport and culture. The mural transmits dynamism, freedom and passion, values that identify those who travel these routes on bicycles and that, at the same time, unite towns and people through movement and the shared experience of the landscape.
A mural integrated into the environment and adapted to the surface
One of the hallmarks of Tardor’s work is his ability to adapt to the mural support, taking advantage of the architectural characteristics of the space. In this case, the mural is painted on two perpendicular walls, which has allowed the artist to play with perspective to generate a single coherent image from a given observation point.
This use of the environment as an active part of the work turns the mural into a participatory artistic experience, where the viewer must move, look for the right angle and be part of the proposed visual game. The result is not only an aesthetically impressive work, but also an intelligent and respectful intervention with the existing architecture.
Urban art that dynamizes and represents the municipality
The Senija mural is part of a cultural strategy promoted by the City Council to revitalize public space through art. This type of interventions contribute to improve the image of the municipality, strengthen its visual identity and project to the outside a modern, active and committed to contemporary culture.
For the neighbors, this mural has already become a symbol of welcome and a source of pride. For cyclists, it is a visual reference that identifies the town as a place that respects and values their presence. And for visitors, it is an opportunity to discover how urban art can be profoundly local and, at the same time, universal.
Contemporary muralism in the Marina Alta
Tardor continues to consolidate its presence in the region with projects that connect art with the territory, providing sensitivity, technique and content. His style -organic, emotional and committed- not only beautifies, but also generates links, emotion and conversation.
The Senija mural is a perfect example of how an artistic intervention can transform an everyday space into an aesthetic and symbolic experience, and how art can act as a catalyst for local pride and community cohesion.
Conclusion: an image that invites you to pedal, to look and to be part of it.
The Tardor mural in Senija not only represents a cyclist: it invites you to be one, to move, to observe and to be part of the landscape. It is a work that celebrates the connection between people, towns and roads. A visual flower that opens up as it passes, in constant movement, like cycling itself. And also like the art of Tardor: always on the road, always evolving.